Pageant Director Eugene Hernandez has launched a letter letting the general public know what to anticipate from the fortieth Sundance Movie Pageant. The upcoming pageant, which is able to happen Jan. 18–28 in Park Metropolis, Utah, will likely be Hernandez’s first time serving as pageant director.
The programming will embody over 90 characteristic movies and over 40 brief movies. The pageant slate is at present within the technique of being curated, with the early submission deadline for options approaching on Aug. 11 and the late submission deadline in September.
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Hernandez additionally acknowledged the present struggles confronted by artists proper now amid the WGA and SAG-AFTRA strikes.
“That is additionally a difficult second as artists battle for a extra equitable leisure trade. We’re extra passionate than ever concerning the significance of celebrating and defending fiercely impartial voices; discovering, nurturing and supporting a various roster of artwork and artists; in addition to spotlighting work that may entertain us whereas it challenges and strikes us,” he wrote.
“As we plan for subsequent 12 months, it has been invigorating and galvanizing to mirror on the historical past of this nice pageant and dig in with colleagues to form a sustainable imaginative and prescient for the longer term that builds and embraces audiences from all walks of life,” he continued.
Persevering with within the custom of current iterations of the pageant that tailored to the challenges of the pandemic, movie screenings will likely be supplied each in individual and on-line, with an emphasis on making a “festive and formative in-person” expertise in Park Metropolis. In-person premieres will happen in Park Metropolis on the Eccles Theater, Egyptian Theatre, Vacation Village Cinemas, Library Middle Theatre, The Ray Theatre, Redstone Cinemas, and Prospector Sq. Theatre, and personal occasions will likely be held at The Park. Starting Jan. 25, at-home screenings will likely be out there for the movies within the pageant’s 5 competitors classes.
Hernandez concluded the letter by reflecting on the importance of the pageant. “Within the midst of one more second of evolution, we imagine deeply within the important influence of impartial filmmaking, discovery, and the enduring energy of festivals as a bridge between audiences and artists.”
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